| book sequence | alphabetical by topic | ||||||||||||||
| 1 | to | 10 | intro and Why this book? | 315 | to | 319 | acting | ||||||||
| 11 | to | 22 | history of animation | 327 | to | 332 | animal action | ||||||||
| 23 | to | 34 | drawing - role and importance in animation | 273 | to | 284 | anticipation | ||||||||
| 35 | to | 40 | timing and spacing | 90 | to | 92 | arcs | ||||||||
| 41 | to | 45 | unplug | 230 | to | 230 | counter action | ||||||||
| 46 | to | 60 | more timing and spacing | 269 | to | 272 | dancing | ||||||||
| 61 | to | 70 | straight ahead and pose to pose | 304 | to | 314 | dialogue | ||||||||
| 71 | to | 79 | x-sheet | 333 | to | 337 | directing | ||||||||
| 84 | to | 89 | spacing | 23 | to | 34 | drawing - role and importance in animation | ||||||||
| 90 | to | 92 | arcs | 96 | to | 101 | elongated inbetween | ||||||||
| 92 | to | 95 | movement within mass | 320 | to | 326 | expression and body language | ||||||||
| 96 | to | 101 | elongated inbetween | 246 | to | 250 | face flexibility | ||||||||
| 102 | to | 175 | walks | 217 | to | 225 | flexibility | ||||||||
| 176 | to | 216 | runs, jumps, skips | 11 | to | 22 | history of animation | ||||||||
| 217 | to | 225 | flexibility | 1 | to | 10 | intro and Why this book? | ||||||||
| 226 | to | 230 | overlapping action | 46 | to | 60 | more timing and spacing | ||||||||
| 230 | to | 230 | counter action | 92 | to | 95 | movement within mass | ||||||||
| 232 | to | 245 | successive breaking joints | 226 | to | 230 | overlapping action | ||||||||
| 246 | to | 250 | face flexibility | 262 | to | 268 | pressure and weight | ||||||||
| 256 | to | 261 | weight | 338 | to | 339 | review | ||||||||
| 262 | to | 268 | pressure and weight | 176 | to | 216 | runs, jumps, skips | ||||||||
| 269 | to | 272 | dancing | 84 | to | 89 | spacing | ||||||||
| 273 | to | 284 | anticipation | 61 | to | 70 | straight ahead and pose to pose | ||||||||
| 285 | to | 296 | takes and accents | 232 | to | 245 | successive breaking joints | ||||||||
| 297 | to | 303 | swagger timing and whips | 297 | to | 303 | swagger timing and whips | ||||||||
| 304 | to | 314 | dialogue | 285 | to | 296 | takes and accents | ||||||||
| 315 | to | 319 | acting | 35 | to | 40 | timing and spacing | ||||||||
| 320 | to | 326 | expression and body language | 41 | to | 45 | unplug | ||||||||
| 327 | to | 332 | animal action | 102 | to | 175 | walks | ||||||||
| 333 | to | 337 | directing | 256 | to | 261 | weight | ||||||||
| 338 | to | 339 | review | 71 | to | 79 | x-sheet | ||||||||